Investment Gigs

•March 18, 2009 • Leave a Comment

As Musicians, Venue owners and regular gig hoppers will know,
it is hard to get new music lovers to live music shows.
“We” talk about this offcourse and we all try to interest new people to visit some shows.

So any effort to achieve this can count on my support.
Bourque Rau is organising a serie of concerts at Non Music Orientated places.
Simply said, sims that have nothing to do with music and where it is most likely that the visitors dont know anything about a live music scene on SL.

There where allready a couple of concerts,
but i am pretty sure that Bourque allways can use more places and / or musicians that would like to volunteer in this.

She gave me a notecard and i shall share it with all of you

( Notecard made by Bourque Rau )
______________________________________________________

I am organizing a series of tips only gigs from SL live musicians to be played
“out and about” for SL groups and communities who may not be aware of the availability
and variety of the live music scene in SL.
I’ve spent time searching out SL Groups with reasonably large number of members
who gather in SL for reasons OTHER than live music …
TV fan groups, sporting events, colleges, etc. …
and offering to facilitate a gig for their members
(see below for my notecard to them as explanation).

My business plan is to offer live music to the (estimated?) 80% of SL residents
who do not know you can listen to live musicians inworld with the expectation
that we will have measurable results in finding more listeners
(group adds, bigger attendance at gigs).
We are providing a hostess for each event
to lend coaching in listing the gigs and promoting to their groups,
and a notecard to hopefully be sent attached to a notice to their group
“tips to listen to live music in SL”
(if your regular staff person would like to be our hostess that would be great,
I’ll just need a brief chat with them, we need to provide a bit more coaching than usual)

I don’t expect these venues to book more live gigs, or become music venues,
we are seeking listeners, so the expectation is not that musicians will book
return paying gigs at these Investment Gig locations, although it could happen :)
The goal is to gain more listeners for SL music in general.
Some of these gigs will be VERY successful, some will be a bust,
so please have some pretty neutral expectations, it is an experiment,
and I’m finding sometimes these non music peeps are NOT as urgent as we are to finalize plans :)

If you would like to volunteer to play one or two tips only gigs, let me know,
(my IMs do not get capped). I will work to make a very good match for you,
make it easy for you to just show up and be a good ambassador,
and give you plenty of notice when I find a booking for you.
I am beginning with 20 gigs in March,
and we’ll see how it goes, and if there is positive response,
I’ll do another round of 20.

thanks, fingers crossed we can achieve measurable results
Bourque Rau

==================

(notecard sent to groups)
The Second Life live music community is planning a serious of gratis gigs at venues
and with groups of people for whom live music is not the norm in order
to raise the awareness of the availability and variety of live music offered in SL.
I am organizing these gigs and would like to chat with you about hosting an event
at your sim or for your group.
The musicians will be waiving their gig fees and playing for you and your friends for free,
they will place a tip jar out in case folks want to make donations,
but that is entirely optional.

If you would like to schedule a musician at your sim/venue
please contact me, Bourque Rau.
We are planning to perform these hour-long gigs in the month of March,
and we can cover most days and time zones with our international artists.
The criteria we are looking for are:

– a group or venue who can bring an audience of approximately 25 or more listeners,
by putting out a group notice a week in advance so people can “mark their calendars”
and generate excitement about the event,
and a group notice at the time of the event with a LM.

– a venue host who can change the media stream on the land
and list the gig in the Live Events Calendar under Live Music with the ability to select
the correct LM for the event. I will provide the musician’s bio and music stream info to you.
We will need the LM and a SLURL to post the event to the musician’s fan group.

We will provide a staffer along with the musician to help host and answer questions
people may have about the SL live music scene.
I am sending you with a notecard entitled “tips for enjoying live music in SL”
which I’ll ask you to send out as a notice attachment to your group
when you let them know about the upcoming gig,
it will answer some general questions for people not familiar with
listening to live music in SL.

We can also provide a rezzed stage if needed.
The musician will need a “group add” at the time to rez equipment
unless build is turned on.

So if you are interested, IM me and let’s chat :)
Bourque Rau
______________________________________________________

So, if you are part of a group that is suitable, or you are a musician that would like to join,
feel free to IM Bourque about this

Love, Peace and Melodies
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Update History

•March 11, 2009 • 1 Comment

I thought it would be a smart thing to give an update
about what is going on with the History Project.

After a smashing start it seems to be bleeding out.
And i shall give you my thoughts about this.

Lots of people ask me what happened ?
is it still on ?
what about that tour ?

When i started this project i handed out hundreds of
Notecards, IM’s, PM’s on forums and Facebook etc.etc.etc.

Sended them to musicians, venue owners, fans etc.etc.etc.
It was strange to see that only a small number took the effort to reply,
it is even stranger to see that some complained about NOT being it
but after i gave them the notecard i never heard a thing again.

Awh well, as i said in the beginning, i don’t need to do this.
A historian needs info to be able to create something,
check facts, doublecheck facts and go on to the next.

I see there is a big interest, because the History pages are still
the most viewed on my Blog.
But without info i cant do anything.
I still am on it, and new info will be added offcourse.

The same goes for the History On Tour.
In the beginning musicians and venues joined,
then it stopped and some backed out.

Again, this is cool with me.
I am very easy with things like this.
I thought it would be a nice idea to celibrate 5 years of Music,
but maybe i was wrong ?

A History Tour with only a few musicians playing in a few venues
is not a real History Tour in my opinion.

I know SL is a great but very fast metaverse.
Once you join and walk around, time seems to get a new meaning.
Lots of things can happen in a few day’s.

So i do understand that people forget about this or simply dont have
time enough of to reply.
For me it is the same, i handed out the requests and that is it for me,
i don’t have time to haunt people down for info or the tour.

Simply said :
The History Time Tabel will go on
The History Stories will go on ( if i get good stories offcourse )
The History Tour, could go on if people still want it.

Love, Peace and Melodies
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Robie Bloch – Soundcircel Flanagan – Norris Shepherd

•March 8, 2009 • Leave a Comment

Last night i had the luck to be at the opening of

The Mini Bar and Ballroom.

A new venue that concentrates on tinies,
but don’t worry its big enough for us big avi’s as well

It was opened by Robie Bloch,
dressed as a cute tiny she did her awesome set.
I have been written before about Robie,
i really love her voice and the songs she plays are awesome.
She has the gift to suck you into her music
and it doesnt matter what she plays,
all songs show her love for music
and she can allways wake me up and sing some songs for me ~wink~

Most people where tiny for this opening and that was fun.
However there was one little annoying fox.
He came in, started to hit on all the girls,
jumped in a hottub, he even layed his claws on Sin Speculaas
( and believe me, you don’t wanna mess with Sin ~lol~ )

Yes LittleNoisyFox Delight
( or better known as Soundcircel Flanagan ) is back
After some tech issues he totally blew us away.
We all know what happened last year,
but with the help of some dear friends
he made it back to SL after being away for 7 months.

It is hard to say something without using words like :
genius, amazing skills etc.etc.etc.

Sound had to record all new backing tracks,
playing all instruments himself.
But because he records his own backings
he is able to create new songs out of covers.
Changing parts, adding new instruments, you name it
The guy has a way of doing things and when i listened it suprised me.

How mutch talent can you have ?

Aerosmith’s Dream on,
one of my favourite alltime songs
but the way played by Sound it is even a better one.
He threw in some Eruption followed by Jump
Mixed two Metallica songs into one,
Played My Immortal, and who needs Amy Lee ?
Started Sweet child of mine as a classical piece
but slowly it became the version we know.
He even layed his fingers on Barry Manilow’s Mandy.
And who does an instrumental version of Fergie’s Big Girls don’t cry ?
Well……. Sound does

He also played a few orginals.
Sound tolled me that it is more diffecult to re-record orginals
but that he is working on it.
The orginals are even more amazing,
think Vai, think Satriani, think Oldfield but then different
i think Sound is a mutant with 4 hands and 10 fingers on each of them.
It must be ?

The thing i like most about Sound is that he is
by far one of the most gifted musicians you will find,
but he doesnt show off.
Its hard to explain what i mean,
but you would expect one big guitar orgasm.
But he plays his music and you don’t notice anything,
accept that you are constantly thinking
“how does he do that ?”

If you want to hear a true musician,
gifted, orginal and unique then make sure to catch a gig.

Later on Norris Shepherd finished the opening of The Mini Bar
but it was to late for me to see that.
But knowing Norris it must have been one hell of a party !!!
I like Norris and i am sorry i missed that one.

The Mini Bar is open now,
and if this night is going to be the standard for what they wanna do,
then i am pretty sure we can enjoy music their for a long time.

Love, Peace and Melodies
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Interview Soundcircel Flanagan

•March 2, 2009 • 3 Comments

One of the most respected musicians inworld
might be Soundcircel Flanagan.

Last year we started talking about music,
and for some reason i kept sending him more questions.
It was one of the most revealing conversations i ever had.

Less
What are your musical influences ?
there are a lot of different things in your songs

Sound
Basically i am a rock/metal fan,
but i started as a classical guitar player.
I wanted to learn the guitar and my parents said that this was ok,
but only if i learned to play some decent music.
So i did that for a few years but at that age, about 7-8 years old,
i wasn’t really interested in that music.
I wanted to play rock and not old boring music.

Looking back i am glad i got to learn it though,
it gave me a good basis to continue with music,
learned to read scores and my teacher
got me interested in the music theory.
You also learn how to play correctly
witch makes it easier to play.

So classical music is a big influence,
Progressive music is,
it has the same elements as classical but they mix
it with a lot of other styles. And i love World music.

And offcourse all music that is melodic, i am addicted to melodies
But mostly i am influenced by the old Queen

Less
Queen is awesome, in what way did they influenced you.

Sound
The layers.
They where pioneers when it comes to producing an album,
i saw some docu’s on how they worked
in the studio in the beginning.
Spending months and months in there, trying and experimenting
to get a certain sound.
Recording for weeks and ending up
with maybe 10 seconds they used.

Brian May is a genius, the guitar parts are so simple
but so damn effective.
He “taught” me how to record,
if you listen carefull you will hear like 5 or 6 guitar parts,
some have only a note here and there, or just a few chord hits.
But leave that out and it doesnt sound like Queen anymore.
I got my love for layered music from them.
As a kid i used to crawl into the speakers to listen carefully,
blasting out their albums and trying to unfold them.

Less
So we have Queen, what other bands do you like ?

Sound
Not many, i am more someone that likes songs.
I consider myself a Metallica fan,
allthough there are a lot of songs that i hate,
and this goes for all artists to be honest,
I prefer single songs more then complete albums.
Music has brought us some great songs
that have stand the test of time.
For me its not about the bands, the songs is what counts for me.
I dont like Michael Jackson, but he has some great songs.

Less
Do you come from a musical family ?

Sound
Owh yeah,
both my mother and father’s family are real musician family’s.
My mother used to have an accordion duo with her brother
when they where kids, he continued and played till he died
in cover bands on weddings and stuff like that.
My grandpa used to sing in choirs,
and nephews and nices are playing as well.
Drums, organ, bass that kind of stuff.

My father’s side only has the classical trained musicians.
They all went to the conservatoria and graduated big time.
One nephew graduated on three ~lol~
He runs 3 orchestra’s now and teaches clarinet,
helps the goverment with setting up things for schools.

We have conductors, teachers, players in orchestras you name it.
And one uncle is an instrument builder,
specialised in woods and brass.

So i guess the classical music is in the genes.
Allthough i am the only one that actually writes music.
I know my nephew writes arrangements but that’s about it.

Less
But if classical music is so big in your family
then why did you picked the guitar instead of a classical instrument?

Sound
hahahahaha, blame that on Ace Frehley
Ace was the first lead guitarist of Kiss, The Star Child.
I used to be a big fan of Kiss and Ace.
I was about 5 and the suits, make up ,
shows and music was very impressive to me.
Later i discovered that Ace was really a good guitar player,
his chromatic solo’s are pretty cool,
and he might be one of the best with that.
Gene played some wicked bass lines
and Paul is maybe one of the most
under estimated guitar players, his chords are amazing.

For me the guitar was the first instrument
that felt good in my hands.
I tried others, i started as a drummer *lol*
but once i started on the guitar it felt like coming home.
The feeling was “Ok this is me, this is what i need to do”

Less
So you where a rocker in your chidhood ?

Sound
maybe *lol*
i allways loved rock music,
but its not the only thing i listened too,
I tried to listen to different music as mutch as i could,
lucky my sister was into pop music so she bought
and played stuff like ABBA all the time,
offcourse i sneaked in and took the albums,
but dont spread this detail around

Less
Course not ~lol~
but euhhhhh ABBA ?

Sound
Bjorn and Benny the composers where brilliant.
Offcourse its very commercial and poppisch,
but they showed you can write interesting music that sells.

It all sounded very slick and balanced, very commercial
but the things they wrote are awesome.
A song like Chiquitita, brilliant stuff.
Very classical and you can hear how they build it up,
how they wrote each note with a purpose.
Its what i like about music,
telling a story with notes and chords,
and they where the masters with that.

Offcourse they where the perfect combo,
brilliant composers with good singers.

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And you try to do the same ?

Sound.
It’s the only way for me,
Music is a language that can tell a story.
The music i hear on the radio doesnt have that anymore,
its just background noisy to fill the silence.
And sometimes one song sticks out of that and thats the song i like.

Less
So you dont listen that mutch music

Sound
Not really, offcourse when i worked we had the radio on
but it just comes in and goes out right away.
A blur in the background so to say.
And when i am home i do my own music.

Less
You are one of the many people who lost his job due to this crisis,
so i guess you got a lot of time to play music.

Sound
Yes i lost my job, and yes i got a lot of time now
allthough i am limited offcourse

Less
How so ?

Sound
Awh well its not a big secret, lots of people know it.
I have a couple of rheumatic related “things”
I hate the word diseases, so i never use that word

Less
Can i ask what you have ?

Sound
Sure……
I got arthrites in my foot, hips and hands,
Herniated disks in my neck and a rheumatic muscle disorder.

Less
Wauw, sounds not good.
How does this effect you ?

Sound
Ok i shall tell you,
but then we drop this because its not a real issue for me.
Imagine that you have pain 24/7,
everything you do causes more pain
then the normal level of pain you have.
Its not that you are limited, but everything causes pain.

My doctors explained it to me like this.
Look at it as a battery,
your battery is full, when you do things it gets empty
but when you rest it recharges again.

My battery starts allready half empty,
when it is completly empty it only recharges a little bit
and it takes a long time for that.

The arthrites makes my fingers a bit stiff and numb,
the hernia adds some extra problems as well
Its on my right side,
so most times my complete right arm is very cold
and sometimes without strength.
You have this “leaning to one side thing”
to reduce the pressure, so your body is out of balance
etc.etc.etc.etc.

Less
Wauw, cant they do anything ?

Sound
They tolled me they dont operate that hernia,
its to risky and wanna do it when nothing else works.
so they treat it weekly,
stretching your neck and stuff like that.

I tried painkillers for the muscle pains,
but nothing worked so they wanted me to try morphine
but i kindly said no to that,
im not going on a daily basis of morphine.

I could make it easier by quiting music,
thats what the doctors ordered me
“We forbid you to touch an instrument”
yeah right *lol*
they might as well shoot me and bury me.

Less
What are the risks when you continue ?

Sound
Loose of arm/hand functions.
Normally excercise is good,
but playing music is not really a nice excersise
the way i play is like attacking it.

Less
But still you go on ?

Sound
I thought about it offcourse.
If i quit playing then i keep the functions for sure,
my life would be hell though.
i would have to stop the thing i love most.

if i continue then i MIGHT loose it in the end,
but at least i could do my music.

For a lot of people it would be easy,
they stop music and adjust theirself.
I know i wouldnt be able,
i would become a bitter grumpy man.
Not a real pleasure to live with.
If i cant do music then life has no purpose.
So i take the risk…

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How do you feel after a show ?

Sound
i thought we should drop this ?
After a show my hands are burning and feeling weird,
numb and stiff so to say
i try to hide it and adapt my show to it.
I had one fan that could hear it when i suffered,
now that was weird to notice

Less
How could he hear that ?

Sound
She *lol*
One show Nya ( she desgined and created my fireworks )
imed me with something like :
“your having pain right ?
i can hear how you stretch the notes longer then normally,
playing a bit slower”

And she was right, you learn little tricks,
stretching notes longer, reducing the speed.
Instead of 32 notes you use 16th notes,
you talk a little bit more,
play more slow songs etc.etc.etc.

Thats why i never did back to back
or more shows on one day,
the times it did happen where awefull.
Problem is that i cant say no as well *lol*

I remember visiting a wedding after i had a show,
not sure how i ended up there ?
But musicians where grabbing the stream
and offcourse they asked me as well.
So what do you do ?
you play a few songs and make sure to give them a good time.

I normally start with the fast and wild songs first,
then slow it down and see how my fingers react
and “gather” energy for the last part

Less
But you go on,
and risking to loose your arm and hand function ?

Sound
I have to.
I cant do without my music,
i NEED to play,
i NEED to mess around with notes and chords.
If i dont then i probally end up in a nut house.

Less
You mention it, so here we go,
your own music, those arrangements,
how do you write it ? how does it work ?

Sound
wauw, thats a tough question.
For me its normal to “think” like this.
I have been, and still am, analysing music my whole life.
I remember that as a kid i layed on the floor
with my head in front of the speakers.
And owh boy if someone made some noisy
“heyy, im listening here”

I listened and unfolded the music in my head,
listened what the drums where doing,
how the bass reacted to that,
what the guitars played,
how the chords where spread out
over the different instruments.

For me it was amazing to listen and listen and listen
and hear the big picture, hearing how different instruments
work together in this proces.

I loved the question and answer parts,
one instrument plays something
and another responds to that

I was excited to hear different melodies
that slowly got together and then spread out again.

At that age i didn’t really understand how it worked,
so i studied the music theory,
read every book i could lay my hands on
It fascinated me,
the fact that people could get a grip on something like music.
Remember i was still a young boy
and growing up i learned it’s nothing more then
science and law’s of nature.

Less
what do you mean with that ?

Sound
Music is, looking at the basics, pretty simple.

You “do” something
and that energy causes the air molecules to move,
you start a wave pattern that goes on till it hits your ears
where it gets translated into the music you hear.

Fast vibrations cause high sounds
Slow vibrations cause low sounds.

As long as the waves are moving and doesnt hit your ears,
Sound doesnt excist.
Amazing when you start to think about this.
Music only excists in our brains.

Notes are nothing more then air molecules
vibrating at a certain speed.
an A is 440 Hz, meaning 440 cycles a second.
So take “something” ,
get it to 440 cycles a second
and your brain tells you it’s an A.

Music theory is not a book of laws,
like all theory’s it is just an explanation of what happens
when you do something.
Theory tells us that if you take 3 strings,
and let them all move with cycles
of 440, 523 and 660 Hz
then your brain hears an A minor Chord.
It doesnt say that you NEED to,
but if you do then you got an Amin.

We gave it that name,
but its nothing more then vibrating air.
I use to work with machines and the rotating parts
cause vibrations as well.
sometimes it was fun to mess with the motor speed
to try to get a certain tone,
the machine itself became an instrument *lol*
Fun to do but it showed me that it doesnt matter
what you take, get it to the amount of cycles
and you got yourself a tone.

People overrate theory in my opinion.
They keep on nagging about little details
while in fact it’s very simple.
Play something that sounds nice and i explain why..
Play something horrible and i explain it as well.

They created the most crazy rules in theory,
making it sound like it is some stupid law,
while in fact those rules are nothing more
then finding a decent way to explain
why that part sounds nice.

Theory only explains
why something sounds beautifull or horrible.
It’s all science, natural laws and mathmatics.

Less
That kinda kills the romance in music doesn’t it ?

Sound
Owh no, not at all.
The trick is to use that info if you need it.
It’s not that i play the guitar and think
“ok lets get this string move to 660 Hz”
you think, lets play an E,
and most times you don’t even think what note it is.
You play by ear and feeling,
let the music take over and see what comes out of it.
Offcourse you KNOW what notes harmonise and in what way,
you know what sounds good and what not.

Less
And where does the Theory kicks in ?

Sound
Omg this is diffecult to explain.
Its a proces you go through,
you learn something and start using it sometime,
after that you really don’t think about it anymore,
you just use it.
I love the quarter notes for instance,
as a kid i learned that it has this important sound to it,
dramatic if you like.
I learned it is used a lot in anthems and tunes of news shows.
So now if i want to point something out,
or get attention for an important melody then i use quarter notes.

It’s like writing a letter,
you don’t really think : MUSIC has a M-U-S-I-C,
you know it does, and writing it down is an automatic thing.
I try to tell a story with my music,
so each single note has a meaning.
Each note has its purpose and is placed there for a reason.

Less
Still it doesnt sound romantic,
we allways have those ideas of composers that are being dumped and then take their guitar and write a beautifull ballad.

Sound
I know, but those artists are doing the same thing.
You know that a minor scale sounds sad,
so automatically you take a minor scale.
Most of those things just happen without thinking.

The brain responds to those things.
Remember those slot machines ?
the rolling bars with the fruit pictures ?
When they stop you hear a nice sound.

What they do is, the ones i knew offcourse,
play a C major chord.
first roll let you hear a C,
then next an E
and the last one a G
It makes people feel happy,
so they stay and throw in more money.

Less
I never realised that ?

Sound
Those things are everywhere.
Composers mess with your mind.
We can make you feel sad when you are happy
We can make you dance when you don”t want to
You name it.

A sad movie with a happy tune isnt that sad
A horror movie with funny music turns it into a comic.
Music is very powerfull

Less
Do you realise this when you write ?

Sound
you just write the song
and what it does to people is very personal.
The majority gets happy with majeur scales,
but i know a few people who cant stand them

I do realise it when i think about a song,
i mean you know what scales and chords give the effect you want.
You know how people respond to certain things.
If i want them to feel sad
then i better not write a happy cheery melody.
You think about what you wanna tell people,
and what things you need to achieve that.

If you play a non-oriental scale on a sitar
then it still sounds oriental,
the sound of that instrument is bigger then the notes.
So use that and people get an oriental feel.

All instruments trigger something in your brain.
You can use that to get your message out.

Less
Strange question,
but do you think of yourself more as a guitar player that writes songs, or a composer that happens to play guitar ?

Sound
I guess i am more a composer/producer then a guitar player.
The guitar is just a tool to get the job done.

Less
Back to that Theory stuff,
do you think its important to know all of this ?

Sound
Depends what you want ?
Some musicians are happy to play 3 chords for their entire life,
and some are never happy.

As i said before, Theory is a tool,
most musicians play by ear and when you analise it they play perfectly according to The Theory,
because Theory only explains.
So play something that sounds nice
and you follow automatically The Theory.

We all follow The Theory but a lot dont even know it,
the same goes for the laws of gravity,
we all live up to those laws,
but most of us dont know a damn thing about it.

Less
So in fact its a load of crap ?
i mean, it seems to me
that you allways play something that sounds nice ?

Sound
Yes, but…….
You can use it to improve your music.

Less
in what way ?

Sound
I use the little elements of music as a language.
I dont sing so i need other ways to tell my story.
Notes, Chords, the sounds i use, the way it is produced,
all are being done for a special reason.

The more you know about this, the better you can use it.
Music theory, the theory on how frequencies work,
the science of music so to say.
It all works together and if you understand it
you can use it to create better music.

Less
have an example ?

Sound
let me think …

I use a lot of layers in my music,
it gives me more instruments to work with
and you can create great things with it.
Problem is that you are limited by frequencies.

If you have two instruments
playing the same frequency range then they rule eachother out
so to say, with a band with drums, bass, guitars and vocals thats no problem.
Drums and bass are in the same range but thats not a problem,
the guitars are but they can harmonise.

The more instruments you use,
the harder it gets to find space in the spectra.
I never play full chords on the guitar,
would i do that then i dont have room for other things
So i spread the chords across the spectra,
bass plays a note, the high instruments play some
and the guitar fills the gaps,

or the guitar plays some intervals
and other instruments fill it up

or i use 2-3 guitar lines
each playing a single note from that chord.
or i just turn it around,
high instruments playing bass notes, l
ow instruments play melody.

Boring to record offcourse but the end result is what counts.
You have to think differently with layers,
you dont fill the spectra, you make room in it.
So you learn very good what notes are important.

If you dont know the science behind it, you can’t use it.
A lot of producers use EQ to fix something, i never do this.
They boost or limit certain ranges
because they get smotherd
or they feel that some range is not enough present.
That doesnt make sence to me,
why record a certain range and then reduce it in the mix ?
When i write i keep this in mind,
so i dont get in trouble during recording,
and i dont have to fix this.
I like my mixes to be open and fresh and as clean as possible.

A lot of work is done in the pre-production fase,
i know what i want, how the end result must be,
what effects i want etc.etc.
I keep all of that in mind before i start recording.

I approach my music the classical way,
those guys had their own language.
They used the notes to tell the story,
If they would have to write a mass for church
and the bible tolled how Jezus went up to heaven,
they let the music go up in pitch.
The triplets where to represend the holy three some,
The Father, The Son and The Holy Spirit.

I learned a lot of that and kinda designed my own language.

Less
Yeah right
( /me scratches his head and wonders why he even decided to have this interview ? )
You approach music very technical arent you ?

Sound
Not at all, it seems like that because i am exlaining it now.
Normally this happens all in a flash, you dont think about it.
You play or listen to music
and this stuff just goes through your head.
How can i record that, what must i use to get that sound,
what happens to the frequencies when i do this ?
it all flashes through your mind when you play something.

Less
Sounds kinda exhausting ?
Dont you just listen/play and enjoy ?

Sound
Not really,
as i said before you learn things
and then you use them without thinking.
For me it means i am constantly analising music,
analising and thinking about how i would have done it,
listening to tv tunes and movie theme’s and how they talk to us,
listening to how music is being used
and what kind of effect it has on people.
I listen and discover new things and use that,
its like a circular process.

Once you start doing this, there is no turning back.
It just happens and you cant do a damn thing about it.
I hear music and my brain re-acts by ripping it apart,
re-organise it, add new layers,
thinking about how something is done,
thinking about why they use that certain note on that certain place.

when i play or write i get lost, i forget time and place,
you can let a bomb go off and i wouldnt notice it.

Less
Hahahahaha i heard that from other musicians as well

Sound
I guess we all have that.
I remember a few good stories about that.

I was about 14,
cycling to school and i had the first few hours free,
meaning i was all alone on that road.
I started to hum some melodies,
and a few hours later i realised i wasnt at school but cycling around and humming
Course i got dentention and stuff but i didnt cared.

Less
CoOoOoL, have more of that ?

Sound
A few years back,
i was still married and one night some boring show was on TV,
i tolled my ex i would go upstairs and record some stuff,
next thing i remember it was 7 am
and i wrote and recorded all night.
Course i was a mess at my work but that happens *lol*
It turned out she had asked me a few times
if i would come to bed,
but i just mumbled “yeah, yeah in a minute”

Or movies, hard to follow for me,
i hear the music and get sucked into the world of music,
in my head i re-arrange it add new things to it
and when the movie is over i have no idea what it was about.

Less
Is it hard for people to live with a guy like you ?

Sound
Not sure if i am the right person to ask ?
but i would have to say, Yes.

Musicians are egocentric,
“we” want that everything evolves around our talent.
I need time to write and record,
if i dont get it i take it one way or the other.
if i get it i take more and more….

I cant help it

If i dont write then i get insane, i NEED to write music.
I hear music all day long,
when i talk to someone i dont hear the words
i hear the melody and rhtyhm,
when i drive the sounds around me get together
and create a symphony in my head.
It goes on and on and on,
all that music has to come out.
Once i start then i am inside MY world
and its hard to get me out.

No problem offcourse, but i slip very easy in MY world.
I love to walk my dog,
but when i do that and listen to the sounds of nature
then i slip into it,
i unwrap the melodies that the birds sing,
add harmonies to it etc.etc.
and before you know it
you walk around for a couple of hours.

Less
is it some kind of escape ?

Sound
Hmmmm, could be ? dont know ?
Music is MY thing, i feel safe there, i can control it
i can let it do what i want,
i know what i am doing, how to do it.
it’s MY world.

Outside the music i feel lost,
have no idea what a lot of people want,
i dont understand them or the world around us,
they nag about ( for me ) small and meaningless things,
promotion,
the gathering of worthless crap,
third holidays etc.etc.etc.

Running around in that rat race to get more and more.
I cant relate to that,
just lock me up in a studio and i am happy.
So maybe an escape from reality ?

Less
You are being respected as one of the most talented musicians. Does it bother you that they say that ?

Sound
It’s strange to hear that,
im just “some” guy playing “some” tunes,
nothing special about it.

I mean,
it’s nice to hear that people enjoy what i do and that they get something out of my music,
but i never know how to respond to that.
For me its nothing special, i do this as long as i can remember

Less
Everyone i speak is saying the same thing though,
Sound. is a genius, that must do something to you ?

Sound
Offcourse its nice to hear, but it sounds weird.
Im not a genius, just a dude playing some music

Less
yes but you a have an unique way of writing and using your guitar,
why dont you play normal ?

Sound
hahahahaha, i do play normal !!!
well sort off…

Guitar is just and instrument,
and like all instruments you should try to develop it.
Its funny to see that most guitar players are very conventional,
its almost like an insult to change the well known guitar sound.
I like to play with that, like to change the sound as mutch as i can.

Thats why i love Steve Vai,
a pioneer when it comes to this.

I dont like to shred or play fast just to show off
it has to have a meaning,
solo’s and stuff have to go somewhere.
If it doesnt then its just a show off thing and i hate that.

Less
How long are you playing and how did you develop yourself ?

Sound
I am playing guitar for more then 30 years now,
and develop ?

Practise, thats it, listen to others and practise.
as a kid i use to play about 3-4 hours a day,
in my teens it went up to 5-6
and when i joined bands i normally played about 8 hours a day.
with some days off 12-14 hours….

have been doing that till i was about 28 and got married,
then it dropped down to 2-3 hours
and now i play as mutch as i can.

Less
thats a lot.

Sound
i love doing it,
love to fool around, explore it.
Play something and then turn it upside down.
Experiment,
add notes to excisting chords, and see what happens.
Play a melody and see what happens if you change things,
experiment with techniques, what happens when i do this ?
what sound does it give when i do that and how can i use it ?

Less
What do you think your fans get out of your music ?

Sound
Owhhh Less, don’t you have easy questions ~lol~

I hope they get some piece out of it and that it helps them,
well i know it does actually.

Less
In what way ?

Sound
I know that the parents of the little baby girl
still play The Rose Within,
I know some people that wake up
and first thing they do is play my music,
People tell me they have it on their cell phones,
or burned cd’s and playit to relax and de-stress.
I know a woman that is suffering a lot of pain
she play’s my music to forget the pain for a few minutes.

Less
Wauw, how does that make you feel ?

Sound
Honoured
for me its the reason to keep on doing what i do.
It feels so good to be able to give something to people with music.
It gives me the strength to go on.

Less
You are on a break and planning to return,
how is that going ?

Sound
We are getting there,
Lots of people have helped me so thats a good feeling.
Its amazing to see that they wanna help me.

I am recording new backings for a new set.
So thats pretty cool.

Less
Whats your goal for playing SL ?

Sound
Nothing mutch to be honest,
i just wanna have some fun and play my music.

Less
Earn money ? get famous ?

Sound
hahahahaha, yeah right.
I dont think thats a realistic goal.
Offcourse you can earn some money
or try to chase that fake stardom,
but thats not really my thing

Less
What do you mean with that ?

Sound
It doesnt matter if you look at RL or SL music,
it is all one big bubble.
It hasnt got anything to do with the escence of music.

There should be a law to forbid shows like Idols or award shows
What has that got to do with music ? nothing at all.
We had a lot of those shows in Holland,
noone made it to become the big star they promised ?
but the show earns a lot of money, so they all go on.
People chase their 15 minutes of fame, hopeing to get on tv.
The jury ( who claims to make you a star but fails )
is still there earning their money.

Its all fake, a bubble,
they allready know who wins
and just make shows to get people to call.
I am allways suprised to see the last show,
they show the voting stats and owh boy its a close call
all the artists are still close together people
so make that phone call !!!!
yeah right,
they knew the winner allready when they started *lol*

I never understood those award shows,
Grammy’s, MTV awards, TMF awards
and whatever they are called.

well i do understand them but it doesnt make sence to me ?
Last year Rick Astley won the Best Act Ever Award with MTV.
And they espect me to take awards serious ???? *rotflma*

The guy had succes for what ? 3 years maybe ? having 3 hits or so ?
I would feel humiliated if i was a selling artist
and they give Rick an award like that.

But i have that with all awards, im a big soccer fan.
You got your awards for best player in the world
and best player in europe.
So a player could win the Best Player in the World,
but become third in the Euro zone ????
*lmao* yeah that makes sence to me.

Well you know how it is.
“We” are stars on SL but once we leave our house
then noone knows who we are,
even my neighbours dont know i am a musician.

My family knows
but they think i am just your regular chord strummer.
Hitting a few chords with the campfire.

I am playing on SL for almost 2 years now,
Its nice to have contact with fans directly,
its nice to be able to play for people that are getting what i do,
that are in other countries, but i think we overrate it.

There are like 60-70,000 people online at a certain moment,
maybe there are 20-40 people in your show
looking at the average amount.
Before i had this break
i was on an average of 20-30 listeners each show.
I played orginals and maybe did 3-4 covers,
all instrumentals, never asked for one gig in my life,
they where all offered to me.

I dont think those are bad numbers,
if i wanted i could have played daily.
Venues offered me there calendars to fill in my own gigs…

Is that fame ?

You will see the same faces at your show constantly,
you get to know them.
Witch is good but can be dangerous
because you can confuse yourself
thinking you are some hotshot.

Lets say you do one show a day,
that doesnt mean you have 150-200 unique listeners
It means that maybe 50 unique people visit you in one week.

Is that fame ?

Maybe i am not celeb enough, i dont know.
I just wanna play my music,
dont care if there is only 1 or 100.
I did shows for 5 people and had as mutch fun
as the SL 5th birthday with a packed sim.

Dont get me wrong, playing on SL is awesome.
the contact with fans, the ability to do your thing
and the fact that people like what you do is great.
But i dont confuse that with stardom,
once i turn off my pc
noone knows or cares about Sound anymore.
Its not a bad thing, its reality and we all have that.

Less
Interesting view

Sound
Thank you *lol*
I love the SL music but i hate the crap that is involved
Ask a fee or not, tip or not, play there or not etc.etc.etc.
I didnt cared mutch for that,
i used to mention the venue tipjar
but never mentioned mine,
i didnt even have one to be honest.
Most times i forgot to mention my group as well.

Just put me on stage and let me play,
you wanna pay me ? thats cool
you wanna tip me ? beautifull
wanna be in my group ? awesome

but im not going to nag about those minor details.

Playing SL is expensive,
if i do 3 shows a week thats about 30-40 euros
on guitar strings only, i change them for every show,
you got your loss of time, one show takes 3 hours all together etc.etc.etc.

I dont mind others that are asking fees,
i totally respect them and do understand it

My feelings have been smashed around about this,
one time i think,
damn just pay me i have a pro attitude when it comes to music.
I record my own backings, prepare myself 100%, make sure i improve myself, and i give you a good show.

But then the other time i think, what do i care ?
give me a stage and a stream and leave me alone…

I have mixed feelings about this stuff.
And it all depends on the weather i guess *lol*

Less
one of the things that was pointed out to me is
LittleNoisyFox Delight
a tiny alt you created
and what people told me,
maybe the only tiny that got famous as musician.

Sound
Ahhhh the little bugger *lol*
Noisy is cool to do

Less
So whats the story ?

Sound
The official one ? or the the truth ? *lol*

Im not sure how it started ?
i think i just got a tiny one day and walked around like that,
i allways messed around with different Avis,
for a long time i was a Fairy as well.
offcourse people saw the name tag of Soundcircel
and that bothered me.
I created an Alt and Noisy was born.

The Official story is that Sound got a piece of his own cake,
Foxy of VLB gave me the title Trouble in Da House,
im kinda famous for my spamming during VLB gigs *lol*
VLB gigs where allways fun
and i had a “thing” going with Maggy,
she started to throw out the Howling gesture
an then i did it as well,
and we would see who could do the most.
Offcourse i win,
i can spam everyone to hell and back *hahahahahaha*

So Sound was walking around Bliss Gardens,
ran into Witchone Witherspoon
( a friend of mine )
and she decided to offer Sound a drink with a spell
because Sound is a bratt.
Allways smart-ass remarks, flirting etc.etc.etc.

That drink made Sound turn into Noisy,
so SL would be saved from Sound,
it didnt worked,
Noisy is even worse then Sound *roflma*

Less
How so ?

Sound
Well, Noisy is even a bigger flirt
more annoying then anyone.
Noisy thinks he is the only rocker on SL,
and that all musicians need his help.
Offcourse he thinks that he can get all chicky’s
and would like to be treated as a celeb.
Because he is the only rocker living the rockstar life.

It was fun, musicians use to respond to that.
BubbaC John use to have me on stage
and put on a funny voice pretending that Noisy sang
he changed the lyrics in some weird ones offcourse *lol*

Less
But what did you do then ?

Sound
Basically entertain.
Not many know this but its hard work,
With Bubba and offcourse with Joaquin
i had a chemistry thing going.

Bubba just sang and he reads the chat,
so Noisy was constantly talking,
making remarks and typing that he played some wicked solo’s or taking pics under skirts,
etc.etc.etc.
Bubba responded to that and there you have it……

Joa was even more fun.
He used to pretend i was really there,
and sometimes people did believe it *lol*
Joa asked Noisy what he would like to play,
so then i said “lets play something for the chicks”
Joa started and i listened to the things he played
and responded to that.

If he would play faster then Noisy would say
“ok my turn Joa, give me some chords”
Joa read chats and responded as well,
we allways use to scan for chicks to take backstage
and in he hot tub *lol*
Course it never happened
but people respond to things like that,
funny thing was that they would get more tips because of Noisy.

We had a whole story going,
Noisy and Joa got a deal on guitars,
so we have the same guitars and thats why we sound alike *lol*

One night some guy asked us if we where really streaming together and Joa said something like
“yes, i am in Argentina and Noisy is in Holland”
i picked up and said that i stream to Joa, and Joa to SL*hahahahahhaha*
it was a big compliment though,
it showed we where really connecting to eachother.

It was exhausting sometimes,
you have to pay attention to the artist on stage,
what does he or she play, what do they say.
at the same time you read the chat and have to respond
quickly to everything that is going on.
You are constantly typing and need to focus real good.

Less
But you never did your own show as Noisy ?

Sound
A few times it happened.
Noisy was mainly a DJ at Nubia,
those nights where legendary *lol*

I could play Noisy on air,
so i could make remarks and flirt and stuff
but didnt had to type.

Noisy was a fun DJ,
never payed attention to requests
and raising one hell of a party *lol*
He used to mess up your request
if he thought it was a bad one.

Some clubs hired me as well
and some have offcourse theme nights,
well not with Noisy *lol*
Noisy doesnt care for that *lmao*
So he DJed a Golden Oldie party playing only modern stuff
or a rock night with only ballads *hahahahahaha*

Less
But it still is an alt, a fake identity

Sound
the avi is offcourse, i dont look like a fox *lol*
But Noisy is just as mutch me as Sound is.
I dont believe in playing a role on SL,
i think you allways show something of yourself.
So the things that Noisy is saying and doing
are the things that i would say or do in RL as well

i guess its why he is loved,
its real, its not just remarks that i dont mean.
I do those things in RL as well *lol*
Throw me in a bar and i start you a party…..

Less
Time to wrap this up,
any last words of wisdom

Sound
*lol*
Wisdom ????
euhhh 2+2=4 ?

For me this was an interesting interview,
i learned some stuff about music and how some musicians look at it.

Next Sateday Soundcircel will be playing a comeback gig ( dressed as Noisy )
at the opening of the Tiny Bar and Ballroom.

More details will follow.

Blindboy and his Dancers

•January 29, 2009 • 3 Comments

** Deleted by request **

Copyright issue’s

•January 27, 2009 • 9 Comments

Today i want to talk about something else,
the reason is an interesting discussion i had with a RL friend.
She knows my love for music and wanted my opinion on this,

But let me start with the beginning.
I am a Joe Satriani fan, a big one.
So in 2004 i bought the album : Is there love in space
released at April 13, 2004
bI played it over and over and over again.

In 2008 Coldplay released the album Viva la Vida or Death and All His Friends
Offcourse i was suprised with the title track, as most Satriani fans i guess.
The song Viva la Vida and Satriani’s song If i could Fly are simular,
same rhythm, same chord progression and the leading guitar melody is the same
as the lyric melody, Joe filed a lawsuit in December 2008 for copyright issue’s

This is simply the background of the discussion i had,
she wanted to hear my opinion on this.

Joe Satriani : If i could fly ( 2004 )

the interesting melody starts at 0.50 sec,
but pay attention to the rhythm and the chord structure as well.

Coldplay Viva la Vida ( 2008 )

I agreed with the fact that Coldplay and Satriani uses a lot of the same things
in the songs, I did some research and found a few interesting things.

wait till 0.35 seconds and compare that to Satriani’s main melody.
This song is from a band called Los Enanitos Verdes an argentina band,
the name means something like Little Green Men
( witch is funny in this context, but more about that later on )
The song is called Francis Limon and the first release was in 2002 october 29

On august 11 2003 french singer Alizée released an album
witch included the song J’en Ai Marre

remarkable huh ?
listen at the guitar at 0.40 seconds

But lets go further back in time.
in 1981 Marty Balin released his first solo album,
Marty is known as founder and one of the singers of Jefferson Airplane.
His first solo album included the hit Hearts

recognise the melody ?

I am not sure how far Joe is in the lawsuit and if there is going to be one.
But i am curious to find out what a judge would say ?

How far does copyright go ?

There are ( in western music ) only 12 notes to play, thats it.
and if we would say that western music took a giant leap since the 1950’s
we can say that people are using those 12 notes for 59 years now.
That means millions of songs are written with those 12 notes.

Offcourse this means that at some point you play a combination that is allready played
before, it is impossible to come up with a combination that hasn’t been played allready.

Joe can go to court offcourse, but Los Enanitos Verdes can do the same with Joe
and don’t forget Marty, he can collect from Los Enanitos Verdes, Joe and Coldplay.

So how far does the copyright law go ?

I do believe in the good of people,
so i am assuming noone is copying on purpose ( naive maybe )

It could be that Joe heard the Marty song back in ‘81, the melody got hidden inside
his brain and at some point it came out and became : If i could Fly.

It could be that Joe nor Coldplay ever heard Marty’s song and that they don’t even know the band Los Enanitos Verdes

It could be that Los Enanitos Verdes never heard Marty’s song.

It could be that Coldplay know Joe’s song and thought “coool one”
they transposed the chords and thought to be safe

I guess this is one of those hard to crack cases.
A funny thing, witch has nothing to do with all of this, is Los Enanitos Verdes
the band name can be translated as Little Green Men,
and that happens to be a Steve Vai song, witch was released in 1984
on his first solo album called Flexable.

Offcourse they had the name sooner then Vai wrote the song, i guess
Their first album came out in 84, so it could be they heard the song and thought it
would be a cool band name.
But in this context it’s funny, Steve and Joe are long time buddies and have the
G3 tours going on.

But the main question remains : How far can you protect a song ?

Marty wrote his song in 1981 ( or before )
Los Enanitos Verdes released there song in 2002
Joe in 2004 and Coldplay in 2008

The french song has a simular chord progression as Coldplay’s and Joe’s one
and was released in 2003, so before Joe released his one.

Would it be fair to say that Joe stole from Marty ?
or from Los Enanitos Verdes ?

Did Los Enanitos Verdes stole the melody from Marty ?

Did Joe heard the french song ? or did Coldplay hear it ?

Or is this all a Coincidence ?
A thing that happens in music ?

Different people at different points in time getting the same kind of inspiration and
coming up with simular songs ?

Love, Peace and Melody
Less

Lyn Carlberg

•January 26, 2009 • Leave a Comment

While i am waiting for more info and responses for the history project
i thought it would be nice to talk about music again.

Last night i had the chance to see a full Lyn Carlberg concert,
Lyn is from wales and he sure shows that,
the dragon tipjar is a cool item, it even talks ~lol~
but music isn’t about the extra’s, what you hear is what matters.

Lyn’s Sixtyone Site

With Lyn that part is covered very good.
He plays a wide varity of songs and throws in orginals as well.
It’s hard to pick some highlights, Lyn equals quality.
His voice is warm, witch i like in voices an his guitar playing is good.

A strong point is that he picks songs that suit his voice,
sometime you hear someone that picks a song that is out of their league,
Lyn doesnt has that, all songs bring out the best in him.

Check out this Youtuby

It seems to me that Lyn is a romantic guy, throughout the whole set you have the
urge to hold someone or to sit down and cuddle up.
Yesterday he played at The Queen Of Hearts, a beautifull venue,
witch added some extra flavour to this romantic feeling.

You can’t go wrong with Lyn, the music is good and he seems like a nice guy,
he keeps to the music and that is good.
There was noone after him so he was allowed to go over his schedulded time,
witch he did big time, a true musician if you ask me.

I enjoyed the show, good music, good venue, nice people there.
And there was even a declaration of Love in chat between two tiny’s,
they couldn’t have picked a better gig then this one.

Episode 1 : The Beginning of SL.

•January 18, 2009 • 2 Comments

~~~~~~~~~~~~~~~~~~~~
Resources :
Secondlife.wikia.
Lindenlab
secretlair
pitchforkmedia
secondlife herald
Conversation with Astrin Few

Updated: January 18 2009
Thanks to Astrin Few for the pictures.
~~~~~~~~~~~~~~~~~~~~

All great stories start with: Once upon a time, so why change that tradition ?
In this episode I want to try to paint a picture about SL in those early days,
to sketch the environment where the pioneers blossomed their ideas
and started to explore the possibilities of this new metaverse.

Once upon a time…….
way back in 2002 some beta testers started to explore Second life,
the commercial launch of SL was in June 2003
and according to Time Magazine the “Coolest Invention of 2002″.

In just over a year, more than 10,000 people had created a Second Life.
The first Sims that where online back in November 2002,
were all named after alleys near LL’s office:

• Clara
• Clyde
• Da Boom
• Federal
• Freelon
• Hawthorne
• Minna
• Natoma
• Ritch
• Shipley
• Stanford
• Stillman
• Taber
• Varney
• Welsh
• Zoe

Da Boom was the first sim. Its SW corner is placed at -1000, 1000, 0-
it was the original home of the Alt-Zoom disco originally built by Philip Linden,
later the disco was run by Brock Stone and then by Eggy Lippmann.

Jeff Linden and other Linden’s hosted weekly ” Avatar of the Week” contests
at the amphitheatre at Clara,
Clara was also the home to a Parthenon-styled art gallery.
This gallery was home to the first in-world wedding,
between Charlie Omega and Lynnix Muse.

Federal used to be the home of Club Elite,
which moved in September 2004 to Elite Island.
The sim is now home to the SL Botanical Gardens
on part of the former Club Elite grounds.
Also located in Federal is The Federal Drawbridge, created by Cristiano Midnight,
it is one of Second Life’s oldest drawbridges, across the Federal waterway.
Say “open bridge” on approach to lift the bridge.

Natoma was home to the “Linden City”
built in Alpha as a test of the possibility of such a thing in SL.
It was deleted in the transition to Beta except “The Man” statue.
Natoma then became the location for the original Welcome Area
which was given the nickname “Newbie Corral”.

In January 2003 four more Sims were added :

• Clementina
• Lusk
• Perry
• Tehama

Luskwood, a forest at Lusk, should be mentioned as well,
Luskwood Avatars have created some high-quality “furry” avatars
which started this trend.

In late March 2003 the “New Welcome Area” and themed Sims were added,
as well as a copy of the Orientation Island Sims
so old-timers could see what newbie’s went through.

These Sims included Dore, Ahern, Bonifacio, Morris, Oak Grove, and Jessie.

In April, the Lindens added Kissling and Immaculate.
In May, Boardman and De Haro were opened as newbie residential Sims,
and Jessie was moved over a square to join the mature Outlands .

Linden had its own reporter Wagner James Au a.k.a Hamlet Linden
and according to him on April 22 2003

“Because what is happening now in the Beta test of Second Life
is very much a social experiment in the making. Literally, “making”:
thousands of volunteers are already in there now,
buzzing around in Linden Lab’s servers, shaping their world out of thin air.
From a default canvas of wide oceans and rolling hills,
they’re cramming the place with coffee tables, exotic swords, sunglasses,
ride-able rockets, electric guitars, readable books, soaring Japanese pagodas–
pretty much anything you might imagine,
and a lot more you wouldn’t dream of–
to create a playspace as vast and varied as creativity and enthusiasm allows.”

It was way different then it is today,
we log in and have about 60-70.000 residents hopping around,
back then you where lucky to catch 5 or 6.

bUTTONpUSHER Jones
“I heard that about 50 users had logged into the game before I arrived,
but there were only about 5 regulars that I would see each week.
If 6 people were in-world at the same time it was a PAR-TAY”

I mentioned the first wedding and found a report of this by Hamlet Linden

“Charlie and Lynnix became the first Second Life couple
to exchange in-game wedding vows.
But the union didn’t end there.
After two months knowing each other in Second Life,
Lynnix stepped away from the game,
and made the one-hour road trip to Charlie’s home in a neighboring town”

Their first in-person visit went pretty well.

“We knew each other for a day,” says Lynnix,
“Next day we went to his house to pick up some stuff.”
And with that, they moved in together.
“We found out so much about each other in Second Life,” says Charlie,
“it was like just meeting in real life solidified it all.”

So how where those first few months on SL ?
remember that it was a lot different than we are used too,
there was no streaming audio for instance,
Audio could be heard but only if you logged in on the stream through winamp.
There was no streaming video,
TP’s where from hub to hub and animations where limited.

Skeedalee Skidoo:
“Maybe it was just me but I didn’t see much of a culture at first.
People were all busy on their projects
and there wasn’t a whole lot of community gathering.
That soon changed however as Linden Lab started supporting events
and working to bring people together more.
I think the game now is much more fun than at first,
except for the few troublemakers I’ve met lately”

Charlie Omega:
“What I do remember was the social climate was much calmer than it is now.
People weren’t out to cause trouble as much. It was extremely friendly.
I was more willing and able to go and meet people and build”

Sinclair Valen began building a memorial to the victims of 9/11’s terror attacks
in Blue, the “Americana” sim.
Based on the beams of light, that mark the World Trade Center’s absence.
He put it there after some debate, on whether it was appropriate
to have a 9/11 memorial in Second Life, at all.
A vote was taken, and the majority said Yes

There were “Town Meetings”
Philip Linden would answer questions asked by the residents.

May 2004 Meeting

Philip Linden: As a last note before the questions…
Philip Linden: You will be able to start playing with animations.
Philip Linden: The Preview version will be open tomorrow.
Philip Linden: Put those features together and you will have a real dancing machine.
Deladra Grayson: Can you tell us a small list of some of the things we will be looking forward to with version 1.4 of Second Life?
Philip Linden: Sure. Upload able animations,
Philip Linden: really cool gestures.
Philip Linden: Streaming audio,
Philip Linden: And new terrain textures.
Sukkubus Phaeton: will we be able to join more than 9 groups in 1.4?
Philip Linden: No there will still be a 9 group limit

( and we complain about the 25 limit ? )

Those meetings got sometimes out of hand off course, imagine that anyone can ask questions to Philip, some avi’s really had good important ones.

Francis Chung: Do you like ice cream? :)
Jade Lily: lol
Schwanson Schlegel: lol
Kyle Gilman: I love ice cream
Jade Lily: How about sushi?

In general the questions where tech talk

Francis Chung: What kind of hardware drives each sim?
Philip Linden: The hardware is a single processor P4, 2.8Ghz, 512MB RAM
Schwanson Schlegel: 512 ram?
Grim Lupis: O.o
Philip Linden: Yes… we don’t really need more.
Grim Lupis: That explains alot!
Philip Linden: Very high level of bus access… in a sense we wouldn’t want more.
Grim Lupis: I have a gig just to run the client!
Grim Lupis: O.o
Philip Linden: Constantly moving physics and objects and stuff to CPU
Philip Linden: The client can use more RAM, yes.
Rimble Rampal: i have high bus access and only 128 ram and mine runs very fast
Jade Lily trusts that LL knows what hardware they require to run the SL servers.
Philip Linden: Well Rimble you are very lucky! 128 I’ve never seen.
Philip Linden: We have so many machines now in the grid…
Philip Linden: >200 machines.
Philip Linden: soon we will be a listed supercomputer cluster.

The announcement of Streaming Audio was, for us Music Fans, the important one

Philip Linden: In 1.4 you will get a kick out of the audio streaming feature…
Philip Linden: I think it will be a big hit.
James Miller: I’m upset that I won’t be able to have a radio in my car, listening to an online station. :(
Jade Lily: how does the audio streaming thing work? was that discussed earlier?
James Miller: (car in SL, that is)
Philip Linden: basically you can start an MP3/OGG etc stream from any parcel.
Philip Linden: I plan to put one on the welcome area…
Philip Linden: and have a live mic…
Philip Linden: and then, just occasionally…
Hank Ramos: Can we turn the music off if requested?
Philip Linden: say something like “James… this is God talking”
Jade Lily: ohhhh
Jade Lily: haha
James Miller: hahh
Schwanson Schlegel: LMAO
Jonquille Noir: lol
Beryl Greenacre: creepy, Philip. :P
Hank Ramos: hehe
Hikaru Yamamoto: lol
Philip Linden: Yes you can turn it off.
Pedro Pendragon: hehe
Sally Zapata: :-)
Jade Lily: “James, this is God talking. Get off my lawn.”
Philip Linden: OK you guys.
James Miller: How is voice chat coming? Does the voice altering software still sound like crap?” :)
Philip Linden: Yes “crap” is a good description of current masking tech.
Jade Lily: LOL
Hank Ramos: eek
Philip Linden: Need to get better.
James Miller: I’d love to be able to voice chat…so I can tell god to leave me the heck alone :)

People builded and created things, meet each other to talk or discuss books,
played lottery, went to listen to DJ’s and just explored the possibilities
of this new virtual world. But soon this all changed when Astrin Few registered

astrin-few-playing-card

~Edited Bio~

Astrin Few
Classically trained as a kid, Astrin Few aka Sam Hokin
plays nylon-string classical guitar.
His core style is acoustic guitar jazz
though he enjoys singing soul, rock and even country.
Astrin brought live music to Second Life in April, 2004,
which is also when he started singing professionally.
His repertoire of standards includes a number of tunes by Warren and Gordon,
Cole Porter, Jerome Kern and others, as well as “new” standards by Bacharach,
the Beatles, and others.
Astrin has written a number of instrumental tunes,
co written a number of tunes with Carla Shedivy his wife,
and plays other tunes that Carla wrote.

More Information:
Astrin’s Website

~End~

“The first night I was in SL, in late April, 2004, I went by Phantasie
Isle and heard Feliciaa Feaver doing a live DJ set, via Live 365,
this was the standard at the time. I knew immediately that I could
do the same with live guitar and was doing so a couple days later,
with a Live 365 account”

Astrin doesn’t consider the April performance as the first show

“There is a difference between a show posted in Events
and just playing some tunes for friends.
If live music is all you care about,
yes, I played live for some friends as early as late April.
I think Faerie Muse was the first SL resident to hear me play live,
but I’m not exactly sure about that.
It may have been Chrissy Crossing.
They were certainly the first two ”

“it was very difficult to get folks to listen to you.
The first folks I played to in SL were friends
that understood that I was playing music for them,
took the effort to fire up Winamp, and listened to me”

“People would see you sitting there with a guitar and they’d say,
‘Oh, that’s a nice guitar.’ And you’d tell them,
‘Go to your browser and load the URL [for my audio stream]‘—
and by then you’d lost their attention.”

The reason Astrin started playing where to become a better musician

“My main goal for playing in SL was actually to learn how to sing.
I’ve always been a guitarist, and sang in choir in high school,
but I’d never been a jazz singer until I started singing in SL.
It was a good way to have a captive audience while I “practiced” vocals
and guitar comping on jazz standards and originals
written mainly by my wife Carla, who is Ember Tiratzo in SL.”

Astrin about the first show with Streaming Audio in world.

“The very first show I did a couple of days after it was released on the grid,
was amazing. I played at a party hosted by Sally Zapata,
after she “bought” an Astrin Few performance at a cancer benefit auction.
I hung out at the party, and when my time came,
she switched the parcel to my stream, and the folks there, numbering 19,
were amazed that I was playing and talking to them.
We had live DJs before that,
but somehow the fact I was doing EVERYTHING live was very cool.
And I’d never played to 19 people before in SL”

“This wasn’t a “show” posted in Events.
It was a party at which I played live music.
It was the first live music event with more than just a few friends present, yes.
19 were there when I started playing; more folks came and left.
By the end, 39 distinct people heard me play”

“Since live music was not in folks’ minds at the time,
it was pretty hopeless to try to get gigs.
You had to first explain to folks that you were PLAYING live.
That was a leap of thinking in those days.
So, instead, I began playing weekly gigs at Clementina Park,
which was owned by Faerie Muse and stampshady Grimm.
It was a wonderful time, word spread among jazz listeners
and live music fans in general,
and we had a wonderful time there every Tuesday evening”

Another quote of Astrin

“It’s very different from live performance in real life
You don’t have that tight level of contact.
It’s a lot like you’re playing at a show where people are really quiet,
and you start feeling like you’re playing for yourself or rehearsing…

Sometimes you can tell they’re more engaged though.
Like last night at Phoenix Spa,
I had people typing the lyrics or saying ‘oooh I like this song’ or ‘ooh nice.’
Or else they’ll comment on something that I did on my guitar.
“I don’t think it’s for every musician.
If you really get off on the eye contact and on performing to a person,
then it’s not so good. I’m more of a technical musician,
so doing Second Life shows is still pretty rewarding.”

Astrin at Clementia Park November 09 2004

astrin-few-110904

Astrin was the only artist on SL
until Flaming Moe signed up in September 2004
and started performing in November 2004.
There is not much written about those first months of Live Music,
but Astrin kept a list of his gigs and shared that with us,
he kept a list till May 2006 but I show you only the gigs of 2004

• Date • Venue

• 06-19 • Sally Zapata Party
• 07-07 • Clementina Park
• 07-14 • Clementina Park
• 07-28 • Clementina Park
• 08-04 • Clementina Park
• 08-11 • Clementina Park
• 08-25 • Clementina Park
• 08-26 • Laka Lounge and Resort
• 09-01 • Clementina Park
• 09-02 • Laka Lounge and Resort
• 09-07 • Taylor Thompson Party
• 09-08 • Clementina Park
• 09-15 • Clementina Park
• 09-22 • Clementina Park
• 09-29 • Clementina Park
• 10-05 • Clementina Park
• 10-12 • Clementina Park
• 10-19 • Clementina Park
• 10-24 • The Deck
• 10-26 • Clementina Park
• 11-09 • Clementina Park
• 11-11 • C-Note Sky Club
• 11-16 • Clementina Park
• 11-21 • C-Note Sky Club
• 11-23 • Clementina Park
• 11-28 • C-Note Sky Club
• 11-30 • Clementina Park
• 12-07 • Clementina Park
• 12-14 • Clementina Park
• 12-21 • Clementina Park
• 12-28 • Clementina Park

Until May 2006 Astrin played 159 shows with 6540 listeners,
although that number should be more,
with some shows the listeners amount was not registered.

The music scene had a slow start when it comes to the amount of musicians,
it grew slowly together with the expansion of SL itself.
In September 2005 SL welcomes the 50.000 member, it took 27 months to get there.
After that SL seems to explode, in 3 months SL doubled up to 100.000,
4 months later SL doubled up to reach 200.000 members,
and 6 months later SL has grown 500 % and hit 1.000.000 residents.

SL got more famous or hyped, whatever you prefer.
Together with this, the music scene grew
more artists joined, more venues opened and the word gets spread along SL
But not only musicians where important,
scripters, builders, animators, music fans, and people with a vision joined.
They all contributed and took us on a journey to where we are now.

Introduction

•January 15, 2009 • 4 Comments

Last update : january 15 2009

Each History has to start with the beginning,
with Second Life it’s easy, a lot of things have been written down
and logged in the databases we call the world wide web.
I used a lot of that info and shall credit the resources where I found them.

I don’t claim to hold the truth or to be accurate,
all the info was googled, gathered by interviews,
note cards that have been giving to me, found in Blogs,
online magazines, forums etc.etc.etc.

If you read this and find something that is wrong, then please contact me
so I can change it to a more accurate history.
This is not my show, I have nothing to do with the SL Music Scene
except the fact that I enjoy being there and listening to the talented musicians
that fill my ears with beautiful music and share their gift to entertain us
and trying to make SL a better and nicer place for all of us

This history is all of us, we are all part of this history
and therefore we need to be on top of this, I have no other plans with this
then to gather history on this Blog. If you want to use it for your own things,
then please feel free to take as much as you can use,
don’t forget to credit the original resources though and don’t credit me,
I did nothing more than gather the historical facts.
Anyone with a computer could have done this,
and we all have computers otherwise you couldn’t read this in the first place.

My plan is to continue this History section, today is tomorrows history,
we do things and don’t even realize we are creating history,
I don’t think that Astrin thought back in 2004
“ok I am going to write history by being the first artist that ever played on SL”
course not, Astrin saw an opportunity and took it, not realizing what he started.

SL grows bigger and bigger, more artists join, more venue’s are being opened,
some venues close, some artists leave, and at some point someone has an idea
that sounds logic to him or her at that point,
where it is in fact a historical point in time because no one else did this before.
We need to register that for a lot of reasons and I shall point out a few of them.

Pioneers should get the credit and respect they deserve,
most times they don’t care for this but without people that can think out of the box,
life would be pretty boring. If Astrin didn’t perform that night,
then someone else would have eventually, but he did perform and set a point in time,
things started to develop from that day until now.
Kakclick created the first concert hud, if he didn’t then someone else
might have got the idea at some point, but we wouldn’t be where we are now.
Kim continued playing after being harassed horribly
and turned into one of the best performers and artists you ever will see,
all are part of this history without knowing it.

The beauty about SL is that it is filled with creative people,
more than in any other web based community, we can create things,
we can build things and we can combine things, all it takes is some crazy idea
and the will to go on. We should honor and respect the people that created history.

Another reason, for me, is that you cannot appreciate what we have now
if you don’t know the backgrounds. I walk around SL without knowing anything,
I tip artists in their tipjar without knowing how this developed,
I hear complete bands perform without realizing the hard work it must be
to keep that going and to organize that.
It all seems normal these day’s and we take it for granted.

The last reason I want to point out is that History might create History.
It could be that you are reading all of this and start to combine things,
creating a new puzzle with the pieces of History or even create a whole new puzzle
and by doing that raise the level of SL Music.
We need inventive people that are willing to take a risk in order to create something
that they have in their minds, History could work as an inspirator,
showing you that it can be done.

So, one more time, if you have any valuable info then please contact me.
Love, Peace and Melody
Less.

P.s.
To honor the fact that in April it is five years ago that Astrin picked up his guitar
and started playing, we want to organize an SL tour.

History on Tour

The plan is to host ONE event in ONE venue each night.
Each venue gets to host a few gigs, spanning the history of Music on SL,
old and new venues hosting old and new Artists,
all playing together to celebrate 5 years of music on SL.
Each night at a different venue with different Artists.

We are planning this and more details will come out soon,
if you have a venue and would like to participate
or you are an Artist that would love to play,
or you manage artists,
or you happen to know this artist and sometimes you drop in a venue
and you might think that they are interested, then contact me

( in the last cases, contact them and have them contact me
so we can contact each other
~looks confused and wonders what the hell he is writing down~ )

well you get the idea,
Events will be in April 2009
and personally I would like to see as much diversity as we can get.

SL Music Rawwwkssssssssssss

The History of Music : Index

•January 13, 2009 • Leave a Comment